| Beschreibung 
              des Autoren: "Vectorial 
              Elevation was an interactive artwork designed to transform the Zócalo 
              square in Mexico City. Using a three dimen- sional interface the 
              web site allowed you to design a light sculpture with 18 robotic 
              searchlights located around the Plaza. A web page was made for each 
              participant with photos from 3 webcams. The piece was unplugged 
              on the 7th of January, 2000, after receiving hundreds of thousands 
              of visits from 89 countries and all the regions of Mexico. Its main 
              objective is to allow public control of the spectacular lighting 
              possible with searchlights, which normally follow a preprogrammed 
              sequence of movements. Vectorial Elevation is a piece that tries 
              to stay away from didactic, historicist or monologic forms. Instead 
              it offers an inter- face for people to have a direct impact on the 
              urban landscape through a vehicle that is nonrepresentational and 
              nonlinear. People from all over the country and the World will 
              take part in a telepresence |  |   
              event that emphasizes action, inter- dependence and feedback. While 
              Mexico's two million net users may find it easy to access the site, 
              a large number of free public access terminals have been deployed 
              around the country so that more people may have access to the piece 
              readily (and to the internet in general!)The Zócalo's monumental size makes the human scale seem insignificant, 
              an observation that has been noted by some Mexican scholars as an 
              emblem of a rigid, monolithic and homogenizing environment. Searchlights 
              themselves have been associated with authoritarian regimes, in part 
              due to the military precedent of anti-aircraft surveillance. Indeed, 
              the Internet itself is the legacy of a military desire for distributed 
              operations control. By ensuring that participants were an integral 
              part of the artwork, Vectorial Elevation attempted to establish 
              new creative relationships between control technologies, ominous 
              urban landscapes and a local and remote public. 
              It was intended to interface the post-geographical 
              space of the Internet
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